Undergraduate Courses

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes/.

Please consult the online course catalog for cross-listed courses and full course information.

Fall 2019
Spring 2020

Intro to History West Art
AS.010.101 (02)

A survey of painting, sculpture, and architecture from Egyptian, Greek, Roman, and medieval culture.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM
Instructor: Stager, Jennifer M S
Room: Hodson 311
Status: Canceled
Seats Available: 12/12
PosTag(s): n/a

Leonardo da Vinci: The Renaissance Workshop in the Formation of Scientific Knowledge
AS.010.208 (01)

How does a notary’s son trained as a painter come to claim expertise in the construction of machines and acquire knowledge of the principles of optics, human anatomy, the flight of birds, the dynamics of air and water? The course will focus critically on the myth of Leonardo’s singularity and explore his achievements with regard to the artisanal culture of his time, as well as the problems of authority in the recognition of artisanal knowledge as scientific discovery.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 1:30PM - 2:45PM
Instructor: Campbell, Stephen
Room: Gilman 119
Status: Open
Seats Available: 2/19
PosTag(s): HART-RENBAR, MSCH-HUM

Mirror Mirror: Reflections in Art from Van Eyck to Velázquez
AS.010.212 (01)

Explores the different ways Early Modern painters and printmakers incorporated mirrors and optical reflections into their works for the sake of illusion and metaphor, deception and desire, reflexivity and truth-telling. Connecting sense perception and ethical knowledge, embedded mirror images often made claims about the nature of the self, the powers of art, and the superiority of painting in particular.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM
Instructor: Merback, Mitchell
Room: Gilman 177
Status: Open
Seats Available: 8/19
PosTag(s): n/a

Freshman Seminar - Lower, Later, Farther Away: Roman Art Beyond the Center
AS.010.112 (01)

This course will introduce students to the art of the Roman world through art created by and for the Roman lower classes, art created in late antiquity, and art created in the far provinces of the empire. These topics represent a dramatic shift away from the traditional “center” of the study of Roman art (art created for the wealthy and politically privileged citizens of central Italy between the first century BCE and the first century CE), and are leading to new understanding of marginalized groups in the Roman world.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 4:30PM - 5:45PM
Instructor: Bevis, Elizabeth Allison
Room: Gilman 208
Status: Open
Seats Available: 14/15
PosTag(s): n/a

Intro to History West Art
AS.010.101 (01)

A survey of painting, sculpture, and architecture from Egyptian, Greek, Roman, and medieval culture.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 10:00AM - 10:50AM
Instructor: Stager, Jennifer M S
Room: Hodson 311
Status: Canceled
Seats Available: 12/12
PosTag(s): n/a

Intro to History West Art
AS.010.101 (03)

A survey of painting, sculpture, and architecture from Egyptian, Greek, Roman, and medieval culture.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM
Instructor: Stager, Jennifer M S
Room: Hodson 311
Status: Open
Seats Available: 5/12
PosTag(s): n/a

Intro to History West Art
AS.010.101 (04)

A survey of painting, sculpture, and architecture from Egyptian, Greek, Roman, and medieval culture.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM
Instructor: Stager, Jennifer M S
Room: Hodson 311
Status: Open
Seats Available: 3/12
PosTag(s): n/a

Art of the Islamic World
AS.010.110 (01)

This course is an introduction to the art of the Islamic world, covering a geography that stretches from Spain to India and a chronology that extends from the seventh century into our own time. Within this rich and varied continuum, we will look at a range of art forms—including architecture, painting, sculpture, ceramics, and calligraphy—in relation to such themes as patronage, production, function, and audience. A number of the artworks will be viewed firsthand in local collections. We will also explore the intersection of Islamic art with today’s political realities.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM, F 1:00PM - 1:50PM
Instructor: Rustem, Unver
Room: Gilman 55
Status: Open
Seats Available: 11/19
PosTag(s): ISLM-ISLMST

Art of the Islamic World
AS.010.110 (02)

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM, F 2:00PM - 2:50PM
Instructor: Rustem, Unver
Room: Gilman 55
Status: Canceled
Seats Available: 19/19
PosTag(s): ISLM-ISLMST

Art since 1945
AS.010.209 (01)

Critical survey of developments in the visual arts primarily in Europe and the United States from 1945 to the present, ranging from painting and sculpture to performance, photography, and video, with emphasis on the critical concepts and the aesthetic, social, and historical implications of new forms of artistic production and dissemination. Visits to the BMA and Special Collections.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 10:30AM - 11:45AM
Instructor: Warnock, Molly
Room: Gilman 119
Status: Open
Seats Available: 4/19
PosTag(s): HART-MODERN

Freshman Seminar: Representing Roman Power: Sculpture as Political Rhetoric from Republic to Empire
AS.010.222 (01)

Rome created one of the world’s most powerful empires that dominated the Mediterranean from the 3rd century BCE into the 4th century CE. As Rome expanded its borders, its cities saw a proliferation of sculptural monuments that produced a visual political rhetoric and expressed imperial ideologies. This class examines the close relationship between Roman sculpture and politics from the Republic through the Severan principate. Through close visual analysis of the ancient materials and critical readings of scholarship, this course will examine the role of sculpture in the formation, reproduction, and attenuation of imperial rule.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: MW 3:00PM - 4:15PM
Instructor: Miranda, Amy Christine
Room: Hodson 315
Status: Open
Seats Available: 15/18
PosTag(s): HART-ANC

Medieval Art and Architecture of the Holy Land
AS.010.319 (01)

The course focuses on art and architecture in the political and religious contexts of the Middle East, from the 4th to the 14th c. The three monotheistic religions all claimed specific territories -- in particular the city of Jerusalem -- for cult practices. This situation resulted in military conflicts that had an impact of Jewish, Medieval, Byzantine, and Islamic art in the Holy Land. The political conflicts, which still plague the region today, are rooted in the complex situation of the medieval period. The Roman, Arab, Byzantine, and crusader invasions resulted however in exciting eclectic styles that characterize the art and architecture of the region. We will discuss concepts behind political and religious leadership, as they intersect with the power of the arts.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM
Instructor: Zchomelidse, Nino
Room: Gilman 177
Status: Open
Seats Available: 18/19
PosTag(s): ISLM-ISLMST, HART-MED

Diplomats, Dealers, and Diggers: The Birth of Archaeology and the Rise of Collecting from the 19th c. to Today
AS.010.307 (01)

The development of archaeology in the Middle East – its history of explorers, diplomats, missionaries and gentlemen-scholars – profoundly shaped the modern world, from the creation of new museums and the antiquities market to international relations and terrorism.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: MW 1:30PM - 2:45PM
Instructor: Feldman, Marian
Room: Gilman 119
Status: Open
Seats Available: 13/19
PosTag(s): ARCH-ARCH

Art of the Ancient Andes
AS.010.365 (01)

The ancient visual arts of Andean South America and their respective cultural contexts form the basis of this course. In conjunction with the Baltimore Museum of Art and the Johns Hopkins Archaeological Museum students will have access to collections for study.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 10:30AM - 11:45AM
Instructor: Deleonardis, Lisa
Room: Hodson 216
Status: Open
Seats Available: 2/25
PosTag(s): ARCH-ARCH

Problems in Art of the Ancient Americas
AS.010.334 (01)

Following a historical narrative that traces the formation of princely collections in the sixteenth century, to the establishment of national museums in the nineteenth, this course surveys the acts of collecting, preserving, interpreting, and appropriating ancient American art. Draws on case studies from North America, Mesoamerica, and the Andes. Collections study in museums.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 3:00PM - 4:15PM
Instructor: Staff
Room:
Status: Canceled
Seats Available: 20/20
PosTag(s): n/a

Jade, Turquoise, Feathers, and Gold: Valued Materials in Aztec Art
AS.010.332 (01)

This seminar (which meets twice weekly) introduces students to the art of the Aztec Empire (1428-1521 CE) through the lens of the production of art from valued materials. The issue of value—how it is constructed, conceptualized, and deployed—provides key insights into the political, religious, economic, and conceptual life of a society. Throughout this course, we will examine these questions by focusing on the major themes of art’s social functions, materiality and artistic process, historicity, and cross-cultural exchange. Special emphasis will be placed on in-person examination of objects in local museum collections and the study of writings by indigenous authors.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 3:00PM - 4:15PM
Instructor: Caplan, Allison N
Room: Gilman 119
Status: Open
Seats Available: 13/18
PosTag(s): HART-NW, ARCH-ARCH

Arts of the Spanish Empire
AS.010.325 (01)

From the sixteenth through the eighteenth centuries, visual forms and practices linked such far-flung places as Mexico City and Naples, Manila and Lima, Cuzco and Antwerp, Quito and Madrid: all cities in the Spanish Empire. This course is conceived as a voyage, moving city by city to explore objects that connected Spain’s vast holdings. We will investigate how the Spanish Crown and the Catholic Church used visual strategies to consolidate political power and instill religious faith across the world; and, alternatively, we will consider how local conditions, concerns, and resistance reshaped those efforts. This course surveys a diverse range of artistic production: religious paintings and sculptures; maps used for imperial surveillance; luxury goods crafted from shimmering feathers, ceramics, ivory, and precious metals; urban design and architecture from the ports of Europe to the highland outposts of the Andes; ephemeral cityscapes for civic performances. In examining such materials, students will be introduced to the art historical methods and theoretical concerns used to study a wide diversity of objects within an imperial frame.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: MW 3:00PM - 4:15PM
Instructor: Hyman, Aaron M.
Room: Gilman 119
Status: Open
Seats Available: 16/19
PosTag(s): HART-RENBAR

Challenge to Painting: Collage, Montage, Assemblage
AS.010.422 (01)

The invention of Cubist collage is generally regarded as a watershed in twentieth-century art. This seminar will examine key junctures in the rapid proliferation and redefinition of collage strategies primarily in Europe and the United States, including but not limited to Futurist “words in liberty”; Dada and Constructivist photomontage; the Surrealist exploration of desire; Situationist "détournement"; and selected varieties of postwar assemblage. Frequent meetings in Special Collections.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: T 3:00PM - 5:30PM
Instructor: Warnock, Molly
Room: Gilman 177
Status: Open
Seats Available: 5/8
PosTag(s): HART-MODERN

Workshop in Object Analysis: Ancient Americas Collection
AS.010.390 (01)

Direct analysis of ancient Americas objects in the JHU Archaeology Museum to include methods and theory of description, classification, cataloging, exhibition.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 1:30PM - 2:45PM
Instructor: Deleonardis, Lisa
Room: Gilman 150A
Status: Open
Seats Available: 4/10
PosTag(s): HART-ANC, ARCH-ARCH

Obsessed with the Past: the Art and Architecture of Medieval Rome
AS.010.431 (01)

In antiquity, Rome became the capital of an empire, its growing status reflected in its sophisticated urban planning, its architecture, and the arts. While an abundance of studies explores the revival of this glorious past in the Renaissance, this seminar discusses various ways of the reception of antiquity during the medieval period. We address the practice of using "spolia" in medieval architecture, the appropriation of ancient pagan buildings for the performance of Christian cult practices, the continuation of making (cult)images and their veneration, the meaning and specific visuality of Latin script (paleography and epigraphy) in later medieval art. We discuss the revival and systematic study of ancient knowledge (f. ex. medicine, astronomy, and the liberal arts), in complex allegorical murals. As we aim to reconstruct the art and architecture of medieval Rome, this course discusses ideas and concepts behind different forms of re-building and picturing the past, as they intersect with the self-referential character of a city that is obsessed with its own history.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: M 4:00PM - 6:30PM
Instructor: Zchomelidse, Nino
Room: Gilman 177
Status: Open
Seats Available: 6/8
PosTag(s): HART-MED

Asia America: Art and Architecture
AS.010.327 (01)

This course examines a set of case studies spanning the last century that will enable us to explore the shifting landscape of Asian transnational art and architecture. Each week will focus on a different artist, group, exhibition, architect, urban space, or site to unpack artists’ and architects’ engagements with the changing landscape of immigration policies, movements to build solidarity with other artists of color, and campaigns for gender and sexual equality. The course will situate these artists within American art, and build an expansive idea of Asia America to include the discussion of artists whose work directly addresses the fluidity of location and the transnational studio practice.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM
Instructor: Brown, Rebecca Mary
Room: Gilman 119
Status: Closed
Seats Available: 5/19
PosTag(s): HART-NW, HART-MODERN

Classics Research Lab: The Symonds Project
AS.040.420 (01)

This course gives participants a unique opportunity to engage directly in empirical research and its interpretation and dissemination. Topics vary. This semester’s offering is organized around a project to reconstruct digitally the library of the nineteenth-century writer John Addington Symonds, author of one of the first studies of ancient sexuality. No prerequisites, but potential students should contact instructor for permission to enroll.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 3:00PM - 4:15PM
Instructor: Butler, Michael Shane, Dean, Gabrielle
Room: Gilman 108
Status: Closed
Seats Available: 4/12
PosTag(s): n/a

Reading through Things: Early Modern Chinese Medicine, Technology, and Art
AS.100.331 (01)

This course introduces the history of late imperial China from the perspective of medicine, technology, and the arts.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 9:00AM - 10:15AM
Instructor: Ji, Xiaoqian
Room: Gilman 413
Status: Open
Seats Available: 4/18
PosTag(s): HIST-ASIA, INST-GLOBAL

Art and Colonialism: Nineteenth-century India
AS.010.424 (01)

This seminar explores the technologies of colonial power, from small ephemeral watercolor images of religious processions to massive multi-volume photographic projects documenting the “people of India,” and extending to the establishment of new urban and architectural spaces, archaeological museums, and art schools, the circulation of diplomatic art collections, and the commissioning of survey data. We will engage with the anti-colonial movements of resistance and uprising that took place across this century, examining the central participation of modern artists with these political movements, and explore the way this period fundamentally shaped the foundations for the study of South Asian art and archaeology. Readings will include colonial and postcolonial theory, Orientalism, historiography; we will be actively working with materials in the library’s Special Collections.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: M 1:30PM - 4:00PM
Instructor: Brown, Rebecca Mary
Room: Gilman 177
Status: Closed
Seats Available: 9/10
PosTag(s): HART-NW, HART-MODERN

The Art of War and Peace in Ancient Mesopotamia
AS.130.219 (01)

Ancient Mesopotamia, modern-day Iraq, Syria, and Iran, is the “cradle of civilization.” It witnessed new inventions previously unknown to the ancient world: urban cities, writing systems, kingship, and empires. This course examines the close relationship between war and peace and art in ancient Mesopotamia (ancient Sumer, Babylonia, and Assyria) from 3500 to 539 BCE. During the semester students will be introduced to the art, architecture, and archaeology of ancient Mesopotamia. This course is aimed at students without a previous background in art historical or archaeological approaches to Mesopotamia, but more advanced students are welcome.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: MW 4:30PM - 5:45PM
Instructor: Taylor, Avary Kathryn
Room: Gilman 277
Status: Open
Seats Available: 10/15
PosTag(s): NEAS-ARTARC, ARCH-ARCH

Introduction to the Museum: Past and Present
AS.389.201 (01)

This course surveys museums, from their origins to their most contemporary forms, in the context of broader historical, intellectual, and cultural trends including the social movements of the 20th century. Anthropology, art, history, and science museums are considered. Cross-listed with History and History of Art.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM
Instructor: Kingsley, Jennifer P
Room: Shriver Hall 104
Status: Open
Seats Available: 22/30
PosTag(s): HIST-EUROPE, ARCH-ARCH, PMUS-INTRO

Course # (Section)	Title	Day/Times	Instructor	Room	PosTag(s)
AS.010.101 (02)	Intro to History West Art	MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM	Stager, Jennifer M S	Hodson 311
AS.010.208 (01)	Leonardo da Vinci: The Renaissance Workshop in the Formation of Scientific Knowledge	TTh 1:30PM - 2:45PM	Campbell, Stephen	Gilman 119	HART-RENBAR, MSCH-HUM
AS.010.212 (01)	Mirror Mirror: Reflections in Art from Van Eyck to Velázquez	TTh 12:00PM - 1:15PM	Merback, Mitchell	Gilman 177
AS.010.112 (01)	Freshman Seminar - Lower, Later, Farther Away: Roman Art Beyond the Center	TTh 4:30PM - 5:45PM	Bevis, Elizabeth Allison	Gilman 208
AS.010.101 (01)	Intro to History West Art	MW 12:00PM - 1:15PM, F 10:00AM - 10:50AM	Stager, Jennifer M S	Hodson 311
AS.010.101 (03)	Intro to History West Art	MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM	Stager, Jennifer M S	Hodson 311
AS.010.101 (04)	Intro to History West Art	MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM	Stager, Jennifer M S	Hodson 311
AS.010.110 (01)	Art of the Islamic World	TTh 12:00PM - 1:15PM, F 1:00PM - 1:50PM	Rustem, Unver	Gilman 55	ISLM-ISLMST
AS.010.110 (02)	Art of the Islamic World	TTh 12:00PM - 1:15PM, F 2:00PM - 2:50PM	Rustem, Unver	Gilman 55	ISLM-ISLMST
AS.010.209 (01)	Art since 1945	TTh 10:30AM - 11:45AM	Warnock, Molly	Gilman 119	HART-MODERN
AS.010.222 (01)	Freshman Seminar: Representing Roman Power: Sculpture as Political Rhetoric from Republic to Empire	MW 3:00PM - 4:15PM	Miranda, Amy Christine	Hodson 315	HART-ANC
AS.010.319 (01)	Medieval Art and Architecture of the Holy Land	MW 12:00PM - 1:15PM	Zchomelidse, Nino	Gilman 177	ISLM-ISLMST, HART-MED
AS.010.307 (01)	Diplomats, Dealers, and Diggers: The Birth of Archaeology and the Rise of Collecting from the 19th c. to Today	MW 1:30PM - 2:45PM	Feldman, Marian	Gilman 119	ARCH-ARCH
AS.010.365 (01)	Art of the Ancient Andes	TTh 10:30AM - 11:45AM	Deleonardis, Lisa	Hodson 216	ARCH-ARCH
AS.010.334 (01)	Problems in Art of the Ancient Americas	TTh 3:00PM - 4:15PM	Staff
AS.010.332 (01)	Jade, Turquoise, Feathers, and Gold: Valued Materials in Aztec Art	TTh 3:00PM - 4:15PM	Caplan, Allison N	Gilman 119	HART-NW, ARCH-ARCH
AS.010.325 (01)	Arts of the Spanish Empire	MW 3:00PM - 4:15PM	Hyman, Aaron M.	Gilman 119	HART-RENBAR
AS.010.422 (01)	Challenge to Painting: Collage, Montage, Assemblage	T 3:00PM - 5:30PM	Warnock, Molly	Gilman 177	HART-MODERN
AS.010.390 (01)	Workshop in Object Analysis: Ancient Americas Collection	TTh 1:30PM - 2:45PM	Deleonardis, Lisa	Gilman 150A	HART-ANC, ARCH-ARCH
AS.010.431 (01)	Obsessed with the Past: the Art and Architecture of Medieval Rome	M 4:00PM - 6:30PM	Zchomelidse, Nino	Gilman 177	HART-MED
AS.010.327 (01)	Asia America: Art and Architecture	MW 12:00PM - 1:15PM	Brown, Rebecca Mary	Gilman 119	HART-NW, HART-MODERN
AS.040.420 (01)	Classics Research Lab: The Symonds Project	TTh 3:00PM - 4:15PM	Butler, Michael Shane, Dean, Gabrielle	Gilman 108
AS.100.331 (01)	Reading through Things: Early Modern Chinese Medicine, Technology, and Art	TTh 9:00AM - 10:15AM	Ji, Xiaoqian	Gilman 413	HIST-ASIA, INST-GLOBAL
AS.010.424 (01)	Art and Colonialism: Nineteenth-century India	M 1:30PM - 4:00PM	Brown, Rebecca Mary	Gilman 177	HART-NW, HART-MODERN
AS.130.219 (01)	The Art of War and Peace in Ancient Mesopotamia	MW 4:30PM - 5:45PM	Taylor, Avary Kathryn	Gilman 277	NEAS-ARTARC, ARCH-ARCH
AS.389.201 (01)	Introduction to the Museum: Past and Present	TTh 12:00PM - 1:15PM	Kingsley, Jennifer P	Shriver Hall 104	HIST-EUROPE, ARCH-ARCH, PMUS-INTRO

Introduction to the History of Western Art II
AS.010.102 (01)

A survey of painting, sculpture, and architecture from the Renaissance to the present.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 10:00AM - 10:50AM
Instructor: Warnock, Molly
Room: Hodson 311
Status: Open
Seats Available: 12/12
PosTag(s): n/a

Introduction to the History of Western Art II
AS.010.102 (04)

A survey of painting, sculpture, and architecture from the Renaissance to the present.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM
Instructor: Warnock, Molly
Room: Hodson 311
Status: Open
Seats Available: 12/12
PosTag(s): n/a

Introduction to the History of Western Art II
AS.010.102 (02)

A survey of painting, sculpture, and architecture from the Renaissance to the present.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM
Instructor: Warnock, Molly
Room: Hodson 311
Status: Open
Seats Available: 12/12
PosTag(s): n/a

Italian Art in the Middle Ages
AS.010.204 (01)

This course explores key monuments of medieval art and architecture in Italy from c. 400 until 1350. We will concentrate on historical, functional, and aesthetical aspects that lead to the creation of single monuments and art works. Emphasis is given to the analysis of “sacred space” by means of architecture, painted, and sculptural decoration, as well as ritual performances. Another focus is laid on the emergence on the political dimension of art for the creation of civic identity as well as in the context of the late medieval courts. We raise questions about the importance of materiality and science for the creation of medieval art works.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: MW 1:30PM - 2:45PM
Instructor: Zchomelidse, Nino
Room: Gilman 177
Status: Open
Seats Available: 15/15
PosTag(s): HART-MED

Asian Art Since 1945
AS.010.233 (01)

This course examines the art and architecture of East, South, and Southeast Asia produced since the mid-twentieth century. We will engage with theoretical, visual, and political developments in the recent art of this region, reading statements by artists and architects, discussing the rising commercial and international profile of contemporary Asian art, and exploring established and emerging art histories of this period. Cross-list with East Asian Studies

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM
Instructor: Brown, Rebecca Mary
Room: Gilman 119
Status: Open
Seats Available: 19/19
PosTag(s): HART-NW, HART-MODERN

Art, Medicine, and the Body: Middle Ages to Modernity
AS.010.235 (01)

This course explores seven centuries of fruitful collaboration between physicians and artists, uncovering the shared discourses, diagnostic techniques and therapeutic agendas that united the art of picture-making with the art of healing. Topics include the origin and development of medical illustration; the long, cross-cultural history of the therapeutic artefact; the anatomical investigations of Renaissance artists such as Leonardo and Michelangelo; depictions of bodily pain and disease in the art of Matthias Grünewald and psychosomatic syndromes like melancholy in the work of Albrecht Dürer; the spectacularization of the body in Enlightenment science and the ethics of medical specimen display today -- all in order to bring the complex intersections of the history of medicine and the history of art into view.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM
Instructor: Merback, Mitchell
Room: Gilman 177
Status: Open
Seats Available: 19/19
PosTag(s): HART-RENBAR, MSCH-HUM

Freshman Seminar: Art and Medicine in the ancient Mediterranean (600-100 BCE)
AS.010.237 (01)

The visual arts played an important role in the foundations of medicine often traced to the ancient Mediterranean. Drawing on a range of objects from representational art to surgical tools and magic spells, this seminar will explore the ways in which the visual arts crafted a different narrative of ancient medicine from that of the texts of the Hippocratic canon. Of particular focus will be the relationship between the doctor Hippocrates and the healing god Asclepius, the representation and subsequent excision of the goddess Hygeia, anatomical votives dedicated in sanctuaries, depictions of medical practices, surgical tools, as well as curse and healing spells. Participation will include visits to local museums and collections.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 1:30PM - 2:45PM
Instructor: Stager, Jennifer M S
Room: Gilman 10
Status: Open
Seats Available: 12/12
PosTag(s): HART-ANC

Engendering Western Art History: Women and the Modern Canon
AS.010.230 (01)

How do the practices of women artists relate to the conventional paradigms we use to understand Western art from Impressionism to the present day? At once a survey of emblematic western art movements, a history of women artists, and a chronicle of feminist scholarship and its developments, the course will rely on in depth formal analysis of exemplary works, close reading of art criticism and attention to recent scholarship to uncover the ways in which female artists implicitly or explicitly test/expand/critique the existing narratives informing our knowledge of specific art movements and styles.

Credits: 3.00
Level: Lower Level Undergraduate
Days/Times: TTh 10:30AM - 11:45AM
Instructor: Antonucci, Marica Francesca
Room: Gilman 119
Status: Open
Seats Available: 19/19
PosTag(s): HART-MODERN

Introduction to the History of Western Art II
AS.010.102 (03)

A survey of painting, sculpture, and architecture from the Renaissance to the present.

Credits: 4.00
Level: Lower Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM
Instructor: Warnock, Molly
Room: Hodson 311
Status: Open
Seats Available: 12/12
PosTag(s): n/a

Michelangelo: Religion, Sexuality, and the Crisis of Renaissance Art
AS.010.301 (01)

The course will focus on the controversies surrounding the representation of the body in the writings and figurative art of Michelangelo and his contemporaries, the historical circumstances under which the most admired artist in Europe was attacked as a blasphemer and an idolator, and the effect of widespread calls for censorship on his later production. The writings of Michelangelo, Pietro Aretino, Benvenuto Cellini and own writings will be considered with a focus on their staging of an ambivalent and transgressive eroticism.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 10:30AM - 11:45AM
Instructor: Lieberman, Robert C, Sheingate, Adam
Room: Gilman 177
Status: Open
Seats Available: 15/15
PosTag(s): HART-RENBAR

Art of the Assyrian Empire, 1000-600 BCE
AS.010.315 (01)

From 900 to 609 BCE, the Assyrian Empire dominated the ancient Near Eastern world, stretching from western Iran to the Mediterranean and Egypt. In concert with imperial expansion came an explosion of artistic production ranging from palace wall reliefs to small-scale luxury objects. This course provides an integrated picture of the imperial arts of this first world empire, situating it within the broader social and political contexts of the first millennium BCE. In its conquest of foreign lands, this powerful state came in contact with and appropriated a diversity of cultures, such as Phoenicia, Egypt, and Greece, which we will also study.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: MW 12:00PM - 1:15PM
Instructor: Feldman, Marian
Room: Gilman 177
Status: Open
Seats Available: 18/18
PosTag(s): HART-ANC

Art and the Harem: Women’s Spaces, Patronage, and (Self-)Representation in
AS.010.338 (01)

Long characterized in the Western imagination as exotic realms of fantasy, harems in Islamic tradition served as private domestic quarters for the women of elite households. This course explores the harem—as an institution, a physical space, and a community of women—from various art-historical perspectives, considering such topics as the harem’s architecture, the agency of its inhabitants as patrons and collectors, the mediating role of eunuchs in the harem’s visual and material culture, and the ability of harem women to make their mark through public artistic commissions. Our case studies will address a range of Islamic geographical and chronological contexts, though we will focus on the empires of the early modern period and, above all, the famous harem of the Ottoman sultans at the Topkapı Palace in Istanbul. In challenging popular misconceptions, the course will also look at the wealth of exoticizing imagery that the harem inspired in Western art, which we will consider through Orientalist paintings at the Walters Art Museum and illustrated rare books at Hopkins itself.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 12:00PM - 1:15PM
Instructor: Rustem, Unver
Room: Gilman 119
Status: Open
Seats Available: 15/15
PosTag(s): HART-NW

Classics Research Lab: Antioch Recovery Project (ARP)
AS.010.444 (01)

Antioch Recovery Project investigates mosaics from the ancient city of Antioch (modern Antakya, Turkey, near the border with Syria) now in the collection of the Baltimore Museum of Art. Excavated by an international team of archaeologists in the 1930s, hundreds of ancient mosaics from the cosmopolitan city were subsequently dispersed to museums across the globe, with twenty-four mosaics entering the collection of the BMA. Phase I will focus on the digital documentation and analysis of the mosaic of Narcissus as a prototype for ongoing research bringing together the fragments of ancient Antioch for contemporary beholders. The Greek myth of Narcissus tells the story of a beautiful Theban hunter doomed to love his own reflection and is the origin of the modern psychiatric term “narcissism”. Researching the mythology, materials, conservation history, archival material, historiography, and contemporary reception of the Narcissus mosaic and myth offers extensive opportunities to collaborate with scholars across a range of disciplines at JHU, in the Baltimore museum community, and beyond. Investigators will move between the Baltimore Museum of Art, the CRL processing lab in Gilman Hall, and Special Collections. The course will involve some travel to visit other mosaics from Antioch now in collections at Harvard’s Dumbarton Oaks in Washington D.C., and the Princeton Art Museum in Princeton, New Jersey.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: Th 3:00PM - 5:30PM
Instructor: Stager, Jennifer M S
Room:
Status: Open
Seats Available: 12/12
PosTag(s): HART-ANC

Hands-On Approaches to European Books and Prints before 1800
AS.010.433 (01)

Baltimore’s rich museum and library collections create a dynamic laboratory for students to gain an understanding of early modern European traditions of prints and books. Engraving, etching, woodcut, mezzotint, à la poupée; Rembrandt, Dürer, Aldus Manutius, Plantin-Moretus. This course will introduce students to the basic techniques, concepts, terms, and artists that shaped the production of reproductive works on paper in early modern Europe and their subsequent art historical study. All sessions will be taught out of local collections (BMA, Walters, NGA, Hopkins Special Collections); that is, this is a hands-on class that—while requiring no previous experience—will attend to the nitty-gritty details and methods of studying works in person, giving students the tools, expertise, and confidence to pursue their own research with historical printed materials.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: M 2:00PM - 4:30PM
Instructor: Hyman, Aaron M.
Room: BLC 2030
Status: Open
Seats Available: 8/8
PosTag(s): HART-RENBAR

The Politics of Display in South Asia
AS.010.382 (01)

Through an examination of colonial exhibitions, the rise of national, regional, and archaeological museums, and current practices of display and representation in institutions, we will explore how the image of South Asia has been constructed in the colonial, modern, and contemporary eras. We will engage with the politics of representation, spectacle, and the economies of desire as related to colonialism and the rise of modernity. Readings from postcolonial theory, museum studies, anthropology, history, and art history.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: W 1:30PM - 4:00PM
Instructor: Brown, Rebecca Mary
Room: Bloomberg 178
Status: Open
Seats Available: 15/15
PosTag(s): HART-MODERN, HART-NW

Native American Art
AS.010.366 (01)

The works of Native American artists are examined and discussed in their respective social and historical contexts. Such works include Hopewell stone sculpture, Mimbres pictorial painting, and Tlingit guardian figures. We examine the concept of sacred landscape through analysis of monumental earthworks and effigy mounds, Anasazi architecture, and rock art. In conjunction with the Baltimore Museum of Art (BMA), and Johns Hopkins Special Collections, students will have access to collections for study.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: TTh 10:30AM - 11:45AM
Instructor: Deleonardis, Lisa
Room: Hodson 315
Status: Open
Seats Available: 25/25
PosTag(s): HART-ANC

Power Dressing: The Politics of Costume between the Ottoman Empire and the West
AS.010.440 (01)

In the Ottoman Empire—a vast multiethnic state straddling Africa, Asia, and Europe—how one dressed was a deeply political affair. Ottoman rulers and subjects alike used clothing to express (and sometimes transgress) the hierarchical, religious, and communal distinctions defining their society, much to the fascination of foreigners who visited the empire or sought knowledge of its sartorial traditions in texts and images. This seminar will explore Ottoman dress and dress codes in the context of the empire’s long and complicated relationship with Western powers, focusing on the role that costume played as a charged site of cross-cultural interaction, posturing, and self-assertion from the sixteenth to the nineteenth century. Our case studies will include costume albums—books showing people high and low in their characteristic garb—painted by Ottoman artists for Western buyers; diplomatic robes of honor and their attendant ceremonies; and cultural cross-dressing as manifested in European turquerie portraiture and masquerades. Moving into the modern period, we will consider how nineteenth-century dress reforms bridged the gap between Ottoman and Western costume while engendering new modes of Ottoman sartorial self-representation that challenged hardening Orientalist discourses in such venues as mannequin museums and world’s fairs. The seminar will make considerable use of artworks in local collections, including rare books and prints at Hopkins itself.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: M 1:30PM - 4:00PM
Instructor: Rustem, Unver
Room: Maryland 217
Status: Open
Seats Available: 10/10
PosTag(s): HART-NW

Historical and Conceptual Bases of Art History
AS.010.413 (01)

Critical readings in and of relevance to the intellectual foundations of the modern discipline of art history. Texts by Wölfflin, Riegl, Warburg, Panofsky, Baxandall, Clark, Krauss, Fried, and others.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: T 1:30PM - 4:00PM
Instructor: Lakey, Christopher
Room: Gilman 177
Status: Open
Seats Available: 20/10
PosTag(s): HART-THRY

Global Amsterdam: The Golden Age of a Small but Mighty Metropolis
AS.010.337 (01)

This course examines the visual and material culture of the Dutch Golden Age as the product of global forces. The young Dutch Republic quickly achieved a global reach in the seventeenth century. And Amsterdam served as its commercial capital, which by 1630 could be counted as one of the most important port cities in the world and home to the Dutch East India Company (VOC), the world’s first multinational corporation. Moving an incredible quantity of goods (spices, silks, porcelain, coffee, precious stones, “exotic” arts, and slaves) generated not only the economic riches, but also the cultural touchpoints that would give rise to art produced by the likes of Rembrandt, Vermeer, Hals, and the many exceptional craftsmen that have left us some of the most enduring masterpieces of the seventeenth century. This course situates that art, and the city of Amsterdam itself, within networks that connected it to such far flung places as Japan, Jakarta, Surinam, Curacao, Brazil, and the Indian Subcontinent.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: Th 1:30PM - 4:00PM
Instructor: Hyman, Aaron M.
Room: Gilman 177
Status: Open
Seats Available: 15/15
PosTag(s): HART-RENBAR

Seminar in Research Methods in Near Eastern Studies: Religion and Science
AS.130.420 (01)

This writing intensive seminar examines the relationship between religion and science in ancient Mesopotamia and the rest of the Near East from the 4th millennium to the Hellenistic period. Using a variety of case studies, and through engagement with scholarly literature pertaining to the topic of the course, students will develop skills in specific research skills such as critical reading, analysis, and interpretation.

Credits: 3.00
Level: Upper Level Undergraduate
Days/Times: W 2:00PM - 4:30PM
Instructor: Delnero, Paul
Room: Gilman 130G
Status: Open
Seats Available: 15/15
PosTag(s): n/a

Course # (Section)	Title	Day/Times	Instructor	Room	PosTag(s)
AS.010.102 (01)	Introduction to the History of Western Art II	MW 12:00PM - 1:15PM, F 10:00AM - 10:50AM	Warnock, Molly	Hodson 311
AS.010.102 (04)	Introduction to the History of Western Art II	MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM	Warnock, Molly	Hodson 311
AS.010.102 (02)	Introduction to the History of Western Art II	MW 12:00PM - 1:15PM, F 11:00AM - 11:50AM	Warnock, Molly	Hodson 311
AS.010.204 (01)	Italian Art in the Middle Ages	MW 1:30PM - 2:45PM	Zchomelidse, Nino	Gilman 177	HART-MED
AS.010.233 (01)	Asian Art Since 1945	MW 12:00PM - 1:15PM	Brown, Rebecca Mary	Gilman 119	HART-NW, HART-MODERN
AS.010.235 (01)	Art, Medicine, and the Body: Middle Ages to Modernity	TTh 12:00PM - 1:15PM	Merback, Mitchell	Gilman 177	HART-RENBAR, MSCH-HUM
AS.010.237 (01)	Freshman Seminar: Art and Medicine in the ancient Mediterranean (600-100 BCE)	TTh 1:30PM - 2:45PM	Stager, Jennifer M S	Gilman 10	HART-ANC
AS.010.230 (01)	Engendering Western Art History: Women and the Modern Canon	TTh 10:30AM - 11:45AM	Antonucci, Marica Francesca	Gilman 119	HART-MODERN
AS.010.102 (03)	Introduction to the History of Western Art II	MW 12:00PM - 1:15PM, F 12:00PM - 12:50PM	Warnock, Molly	Hodson 311
AS.010.301 (01)	Michelangelo: Religion, Sexuality, and the Crisis of Renaissance Art	TTh 10:30AM - 11:45AM	Lieberman, Robert C, Sheingate, Adam	Gilman 177	HART-RENBAR
AS.010.315 (01)	Art of the Assyrian Empire, 1000-600 BCE	MW 12:00PM - 1:15PM	Feldman, Marian	Gilman 177	HART-ANC
AS.010.338 (01)	Art and the Harem: Women’s Spaces, Patronage, and (Self-)Representation in	TTh 12:00PM - 1:15PM	Rustem, Unver	Gilman 119	HART-NW
AS.010.444 (01)	Classics Research Lab: Antioch Recovery Project (ARP)	Th 3:00PM - 5:30PM	Stager, Jennifer M S		HART-ANC
AS.010.433 (01)	Hands-On Approaches to European Books and Prints before 1800	M 2:00PM - 4:30PM	Hyman, Aaron M.	BLC 2030	HART-RENBAR
AS.010.382 (01)	The Politics of Display in South Asia	W 1:30PM - 4:00PM	Brown, Rebecca Mary	Bloomberg 178	HART-MODERN, HART-NW
AS.010.366 (01)	Native American Art	TTh 10:30AM - 11:45AM	Deleonardis, Lisa	Hodson 315	HART-ANC
AS.010.440 (01)	Power Dressing: The Politics of Costume between the Ottoman Empire and the West	M 1:30PM - 4:00PM	Rustem, Unver	Maryland 217	HART-NW
AS.010.413 (01)	Historical and Conceptual Bases of Art History	T 1:30PM - 4:00PM	Lakey, Christopher	Gilman 177	HART-THRY
AS.010.337 (01)	Global Amsterdam: The Golden Age of a Small but Mighty Metropolis	Th 1:30PM - 4:00PM	Hyman, Aaron M.	Gilman 177	HART-RENBAR
AS.130.420 (01)	Seminar in Research Methods in Near Eastern Studies: Religion and Science	W 2:00PM - 4:30PM	Delnero, Paul	Gilman 130G

Intro to History West ArtAS.010.101 (02)

Leonardo da Vinci: The Renaissance Workshop in the Formation of Scientific KnowledgeAS.010.208 (01)

Mirror Mirror: Reflections in Art from Van Eyck to VelázquezAS.010.212 (01)

Freshman Seminar - Lower, Later, Farther Away: Roman Art Beyond the CenterAS.010.112 (01)

Intro to History West ArtAS.010.101 (01)

Intro to History West ArtAS.010.101 (03)

Intro to History West ArtAS.010.101 (04)

Art of the Islamic WorldAS.010.110 (01)

Art of the Islamic WorldAS.010.110 (02)

Art since 1945AS.010.209 (01)

Freshman Seminar: Representing Roman Power: Sculpture as Political Rhetoric from Republic to EmpireAS.010.222 (01)

Medieval Art and Architecture of the Holy LandAS.010.319 (01)

Diplomats, Dealers, and Diggers: The Birth of Archaeology and the Rise of Collecting from the 19th c. to TodayAS.010.307 (01)

Art of the Ancient AndesAS.010.365 (01)

Problems in Art of the Ancient AmericasAS.010.334 (01)

Jade, Turquoise, Feathers, and Gold: Valued Materials in Aztec ArtAS.010.332 (01)

Arts of the Spanish EmpireAS.010.325 (01)

Challenge to Painting: Collage, Montage, AssemblageAS.010.422 (01)

Workshop in Object Analysis: Ancient Americas CollectionAS.010.390 (01)

Obsessed with the Past: the Art and Architecture of Medieval RomeAS.010.431 (01)

Asia America: Art and ArchitectureAS.010.327 (01)

Classics Research Lab: The Symonds ProjectAS.040.420 (01)

Reading through Things: Early Modern Chinese Medicine, Technology, and ArtAS.100.331 (01)

Art and Colonialism: Nineteenth-century IndiaAS.010.424 (01)

The Art of War and Peace in Ancient MesopotamiaAS.130.219 (01)

Introduction to the Museum: Past and PresentAS.389.201 (01)

Introduction to the History of Western Art IIAS.010.102 (01)

Introduction to the History of Western Art IIAS.010.102 (04)

Introduction to the History of Western Art IIAS.010.102 (02)

Italian Art in the Middle AgesAS.010.204 (01)

Asian Art Since 1945AS.010.233 (01)

Art, Medicine, and the Body: Middle Ages to ModernityAS.010.235 (01)

Freshman Seminar: Art and Medicine in the ancient Mediterranean (600-100 BCE)AS.010.237 (01)

Engendering Western Art History: Women and the Modern CanonAS.010.230 (01)

Introduction to the History of Western Art IIAS.010.102 (03)

Michelangelo: Religion, Sexuality, and the Crisis of Renaissance ArtAS.010.301 (01)

Art of the Assyrian Empire, 1000-600 BCEAS.010.315 (01)

Art and the Harem: Women’s Spaces, Patronage, and (Self-)Representation inAS.010.338 (01)

Classics Research Lab: Antioch Recovery Project (ARP)AS.010.444 (01)

Hands-On Approaches to European Books and Prints before 1800AS.010.433 (01)

The Politics of Display in South AsiaAS.010.382 (01)

Native American ArtAS.010.366 (01)

Power Dressing: The Politics of Costume between the Ottoman Empire and the WestAS.010.440 (01)

Historical and Conceptual Bases of Art HistoryAS.010.413 (01)

Global Amsterdam: The Golden Age of a Small but Mighty MetropolisAS.010.337 (01)

Seminar in Research Methods in Near Eastern Studies: Religion and ScienceAS.130.420 (01)

Intro to History West Art
AS.010.101 (02)

Leonardo da Vinci: The Renaissance Workshop in the Formation of Scientific Knowledge
AS.010.208 (01)

Mirror Mirror: Reflections in Art from Van Eyck to Velázquez
AS.010.212 (01)

Freshman Seminar - Lower, Later, Farther Away: Roman Art Beyond the Center
AS.010.112 (01)

Intro to History West Art
AS.010.101 (01)

Intro to History West Art
AS.010.101 (03)

Intro to History West Art
AS.010.101 (04)

Art of the Islamic World
AS.010.110 (01)

Art of the Islamic World
AS.010.110 (02)

Art since 1945
AS.010.209 (01)

Freshman Seminar: Representing Roman Power: Sculpture as Political Rhetoric from Republic to Empire
AS.010.222 (01)

Medieval Art and Architecture of the Holy Land
AS.010.319 (01)

Diplomats, Dealers, and Diggers: The Birth of Archaeology and the Rise of Collecting from the 19th c. to Today
AS.010.307 (01)

Art of the Ancient Andes
AS.010.365 (01)

Problems in Art of the Ancient Americas
AS.010.334 (01)

Jade, Turquoise, Feathers, and Gold: Valued Materials in Aztec Art
AS.010.332 (01)

Arts of the Spanish Empire
AS.010.325 (01)

Challenge to Painting: Collage, Montage, Assemblage
AS.010.422 (01)

Workshop in Object Analysis: Ancient Americas Collection
AS.010.390 (01)

Obsessed with the Past: the Art and Architecture of Medieval Rome
AS.010.431 (01)

Asia America: Art and Architecture
AS.010.327 (01)

Classics Research Lab: The Symonds Project
AS.040.420 (01)

Reading through Things: Early Modern Chinese Medicine, Technology, and Art
AS.100.331 (01)

Art and Colonialism: Nineteenth-century India
AS.010.424 (01)

The Art of War and Peace in Ancient Mesopotamia
AS.130.219 (01)

Introduction to the Museum: Past and Present
AS.389.201 (01)

Introduction to the History of Western Art II
AS.010.102 (01)

Introduction to the History of Western Art II
AS.010.102 (04)

Introduction to the History of Western Art II
AS.010.102 (02)

Italian Art in the Middle Ages
AS.010.204 (01)

Asian Art Since 1945
AS.010.233 (01)

Art, Medicine, and the Body: Middle Ages to Modernity
AS.010.235 (01)

Freshman Seminar: Art and Medicine in the ancient Mediterranean (600-100 BCE)
AS.010.237 (01)

Engendering Western Art History: Women and the Modern Canon
AS.010.230 (01)

Introduction to the History of Western Art II
AS.010.102 (03)

Michelangelo: Religion, Sexuality, and the Crisis of Renaissance Art
AS.010.301 (01)

Art of the Assyrian Empire, 1000-600 BCE
AS.010.315 (01)

Art and the Harem: Women’s Spaces, Patronage, and (Self-)Representation in
AS.010.338 (01)

Classics Research Lab: Antioch Recovery Project (ARP)
AS.010.444 (01)

Hands-On Approaches to European Books and Prints before 1800
AS.010.433 (01)

The Politics of Display in South Asia
AS.010.382 (01)

Native American Art
AS.010.366 (01)

Power Dressing: The Politics of Costume between the Ottoman Empire and the West
AS.010.440 (01)

Historical and Conceptual Bases of Art History
AS.010.413 (01)

Global Amsterdam: The Golden Age of a Small but Mighty Metropolis
AS.010.337 (01)

Seminar in Research Methods in Near Eastern Studies: Religion and Science
AS.130.420 (01)