Sacred Connections: The Arts of Pilgrimage in the Islamic World, c. 1500–1900
Th 1:30PM - 4:00PM
Rustem, Unver
BLC 2043
Fall 2024
As a central practice of the Muslim faith, pilgrimage has long animated the arts of the Islamic world, not only by generating countless monuments and objects, but also by facilitating the movement of artists, artifacts, and ideas across vast distances. This course explores the rich visual and material products of the Islamic pilgrimage tradition during the early modern and modern periods, including the architecture of the sacred sites themselves, the processions and ceremonies enacted by those who journeyed to these destinations, and proxy monuments and artworks created for those unable to perform the pilgrimage in person. Although our focus will be on the Hajj—the main annual pilgrimage to Islam’s holiest city, Mecca—we will also consider the arts associated with other pilgrimage sites, in particular the Shi‘i shrines of Iraq and Iran, as well as the pilgrimage practices of non-Muslim communities in the Middle East. We will bridge the gap between these geographies and our own vantage point in Baltimore through locally housed artworks, among them a seventeenth-century Ottoman tile at the Walters Art Museum that shows the Great Mosque of Mecca and a printed Hajj certificate—probably designed by an Indian artist but published in Istanbul in 1895—recently acquired for Hopkins’ own Special Collections. Through close engagement with these objects and other materials, the course will address such themes as sacred spectacle and ritual, pilgrimage as a locus of female patronage, and the impact of modernity on the Hajj and its traditions.
×
Sacred Connections: The Arts of Pilgrimage in the Islamic World, c. 1500–1900 AS.010.626 (01)
As a central practice of the Muslim faith, pilgrimage has long animated the arts of the Islamic world, not only by generating countless monuments and objects, but also by facilitating the movement of artists, artifacts, and ideas across vast distances. This course explores the rich visual and material products of the Islamic pilgrimage tradition during the early modern and modern periods, including the architecture of the sacred sites themselves, the processions and ceremonies enacted by those who journeyed to these destinations, and proxy monuments and artworks created for those unable to perform the pilgrimage in person. Although our focus will be on the Hajj—the main annual pilgrimage to Islam’s holiest city, Mecca—we will also consider the arts associated with other pilgrimage sites, in particular the Shi‘i shrines of Iraq and Iran, as well as the pilgrimage practices of non-Muslim communities in the Middle East. We will bridge the gap between these geographies and our own vantage point in Baltimore through locally housed artworks, among them a seventeenth-century Ottoman tile at the Walters Art Museum that shows the Great Mosque of Mecca and a printed Hajj certificate—probably designed by an Indian artist but published in Istanbul in 1895—recently acquired for Hopkins’ own Special Collections. Through close engagement with these objects and other materials, the course will address such themes as sacred spectacle and ritual, pilgrimage as a locus of female patronage, and the impact of modernity on the Hajj and its traditions.
Days/Times: Th 1:30PM - 4:00PM
Instructor: Rustem, Unver
Room: BLC 2043
Status: Open
Seats Available: 7/7
PosTag(s): HART-MODERN, HART-RENEM
AS.010.639 (01)
Obsessed with the Past: the Art and Architecture of Medieval Rome
W 1:30PM - 4:00PM
Zchomelidse, Nino
BLC 2043
Fall 2024
In antiquity, Rome became the capital of an empire, its growing status reflected in its sophisticated urban planning, its architecture, and the arts. While an abundance of studies explores the revival of this glorious past in the Renaissance, this seminar discusses various ways of the reception of antiquity during the medieval period. We address the practice of using spolia in medieval architecture, the appropriation of ancient pagan buildings for the performance of Christian cult practices, the continuation of making (cult)images and their veneration, the meaning and specific visuality of Latin script (paleography and epigraphy) in later medieval art. We discuss the revival and systematic study of ancient knowledge (f. ex. medicine, astronomy, and the liberal arts), in complex allegorical murals. As we aim to reconstruct the art and architecture of medieval Rome, this course discusses ideas and concepts behind different forms of re-building and picturing the past, as they intersect with the self-referential character of a city that is obsessed with its own history.
×
Obsessed with the Past: the Art and Architecture of Medieval Rome AS.010.639 (01)
In antiquity, Rome became the capital of an empire, its growing status reflected in its sophisticated urban planning, its architecture, and the arts. While an abundance of studies explores the revival of this glorious past in the Renaissance, this seminar discusses various ways of the reception of antiquity during the medieval period. We address the practice of using spolia in medieval architecture, the appropriation of ancient pagan buildings for the performance of Christian cult practices, the continuation of making (cult)images and their veneration, the meaning and specific visuality of Latin script (paleography and epigraphy) in later medieval art. We discuss the revival and systematic study of ancient knowledge (f. ex. medicine, astronomy, and the liberal arts), in complex allegorical murals. As we aim to reconstruct the art and architecture of medieval Rome, this course discusses ideas and concepts behind different forms of re-building and picturing the past, as they intersect with the self-referential character of a city that is obsessed with its own history.
Days/Times: W 1:30PM - 4:00PM
Instructor: Zchomelidse, Nino
Room: BLC 2043
Status: Open
Seats Available: 5/5
PosTag(s): HART-MED
AS.010.675 (01)
Transnational Asian Art: Modernism in Motion
M 1:30PM - 4:00PM
Brown, Rebecca Mary
Gilman 177
Fall 2024
This seminar will examine a constellation of readings and moments in the history of Asian art since c. 1900 through the lens of the transnational. We’ll unpack this term and some of its relations including cosmopolitan, diaspora, and global, and then turn to several case studies of exchange, contact, engagement across geographies in the long 20th century. These include: pan-Asian aesthetics as discussed in India-Japan exchanges in the 1910s, Chinese artists who study and live in Paris in the 1920s and (sometimes) return to China, the concept of “international contemporaneity” as articulated in 1960s Japanese art, India’s engagement with internationalism and “indigenism” in the 1960s, Japan–US interfaces in the 1960s and 1970s, Marxist art and art histories in India in the 1970s and 1980s, the “East Village” in Beijing and NYC in the 1980s and 1990s, and the Chinese avant-garde in a post-Maoist context.
×
Transnational Asian Art: Modernism in Motion AS.010.675 (01)
This seminar will examine a constellation of readings and moments in the history of Asian art since c. 1900 through the lens of the transnational. We’ll unpack this term and some of its relations including cosmopolitan, diaspora, and global, and then turn to several case studies of exchange, contact, engagement across geographies in the long 20th century. These include: pan-Asian aesthetics as discussed in India-Japan exchanges in the 1910s, Chinese artists who study and live in Paris in the 1920s and (sometimes) return to China, the concept of “international contemporaneity” as articulated in 1960s Japanese art, India’s engagement with internationalism and “indigenism” in the 1960s, Japan–US interfaces in the 1960s and 1970s, Marxist art and art histories in India in the 1970s and 1980s, the “East Village” in Beijing and NYC in the 1980s and 1990s, and the Chinese avant-garde in a post-Maoist context.
Days/Times: M 1:30PM - 4:00PM
Instructor: Brown, Rebecca Mary
Room: Gilman 177
Status: Open
Seats Available: 8/8
PosTag(s): HART-MODERN
AS.010.801 (01)
Special Rsrch & Problems
Campbell, Stephen
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (01)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Campbell, Stephen
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (02)
Special Rsrch & Problems
Feldman, Marian
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (02)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Feldman, Marian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (03)
Special Rsrch & Problems
Merback, Mitchell
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (03)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Merback, Mitchell
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (04)
Special Rsrch & Problems
Liu, Yinxing
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (04)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Liu, Yinxing
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (05)
Special Rsrch & Problems
Hyman, Aaron M.
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (05)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Hyman, Aaron M.
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (06)
Special Rsrch & Problems
Schopp, Caroline Lillian
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (06)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Schopp, Caroline Lillian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (08)
Special Rsrch & Problems
Zchomelidse, Nino
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (08)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (10)
Special Rsrch & Problems
Brown, Rebecca Mary
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (10)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Brown, Rebecca Mary
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.801 (13)
Special Research & Problems
Stager, Jennifer
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Research & Problems AS.010.801 (13)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Stager, Jennifer
Room:
Status: Open
Seats Available: 10/10
PosTag(s): n/a
AS.010.801 (14)
Special Research & Problems
Stager, Jennifer
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Research & Problems AS.010.801 (14)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Stager, Jennifer
Room:
Status: Open
Seats Available: 10/10
PosTag(s): n/a
AS.010.801 (15)
Special Rsrch & Problems
Rustem, Unver
Fall 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
×
Special Rsrch & Problems AS.010.801 (15)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered courses.
Days/Times:
Instructor: Rustem, Unver
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (01)
Individual Work
Campbell, Stephen
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (01)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Campbell, Stephen
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (02)
Individual Work
Feldman, Marian
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (02)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Feldman, Marian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (03)
Individual Work
Merback, Mitchell
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (03)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Merback, Mitchell
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (04)
Individual Work
Liu, Yinxing
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (04)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Liu, Yinxing
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (05)
Individual Work
Hyman, Aaron M.
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (05)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Hyman, Aaron M.
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (06)
Individual Work
Stager, Jennifer
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (06)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Stager, Jennifer
Room:
Status: Open
Seats Available: 10/10
PosTag(s): n/a
AS.010.803 (07)
Individual Work
Schopp, Caroline Lillian
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (07)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Schopp, Caroline Lillian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (08)
Individual Work
Zchomelidse, Nino
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (08)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (10)
Individual Work
Brown, Rebecca Mary
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (10)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Brown, Rebecca Mary
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.803 (13)
Individual Work
Rustem, Unver
Fall 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.803 (13)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Rustem, Unver
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.815 (01)
History of Art Teaching Assistant - 2nd Year Students
Zchomelidse, Nino
Fall 2024
For History of Art PhD students that are actively participating as a TA as required by the program.
×
History of Art Teaching Assistant - 2nd Year Students AS.010.815 (01)
For History of Art PhD students that are actively participating as a TA as required by the program.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 8/8
PosTag(s): n/a
AS.010.815 (02)
History of Art Teaching Assistant - 3rd Year Students
Zchomelidse, Nino
Fall 2024
For History of Art PhD students that are actively participating as a TA as required by the program.
×
History of Art Teaching Assistant - 3rd Year Students AS.010.815 (02)
For History of Art PhD students that are actively participating as a TA as required by the program.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 8/8
PosTag(s): n/a
AS.010.815 (03)
History of Art Teaching Assistant - 4th Year Students
Zchomelidse, Nino
Fall 2024
For History of Art PhD students that are actively participating as a TA as required by the program.
×
History of Art Teaching Assistant - 4th Year Students AS.010.815 (03)
For History of Art PhD students that are actively participating as a TA as required by the program.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 8/8
PosTag(s): n/a
AS.133.618 (01)
Egyptian Art and Material Culture I: The Origin
MW 12:00PM - 1:15PM
Arnette, Marie-Lys
Gilman 130G
Fall 2024
This course is devoted to the Art and material culture of ancient Egypt, from the 5th millennium BCE to the Roman period. It is designed as a three-year cycle, with one semester per year. The aim of the course is to provide students with a solid knowledge base in Egyptian visual and material culture, effective methods of description and analysis, and a command of bibliography and research tools. This year, the course will focus on the origins of Art. First, we will look at the materials that are the source of all human production; then, the course will be devoted to the periods of formation of Egyptian Art, from the Predynastic Period to the end of the Old Kingdom. Each week will consist of two complementary sessions: first, a lecture given by the professor or a visiting scholar; second, class dedicated to discussion and exchanges based on one or more articles related to the previous class.
×
Egyptian Art and Material Culture I: The Origin AS.133.618 (01)
This course is devoted to the Art and material culture of ancient Egypt, from the 5th millennium BCE to the Roman period. It is designed as a three-year cycle, with one semester per year. The aim of the course is to provide students with a solid knowledge base in Egyptian visual and material culture, effective methods of description and analysis, and a command of bibliography and research tools. This year, the course will focus on the origins of Art. First, we will look at the materials that are the source of all human production; then, the course will be devoted to the periods of formation of Egyptian Art, from the Predynastic Period to the end of the Old Kingdom. Each week will consist of two complementary sessions: first, a lecture given by the professor or a visiting scholar; second, class dedicated to discussion and exchanges based on one or more articles related to the previous class.
Days/Times: MW 12:00PM - 1:15PM
Instructor: Arnette, Marie-Lys
Room: Gilman 130G
Status: Open
Seats Available: 14/15
PosTag(s): n/a
AS.010.802 (04)
Special Research/Problems
Schopp, Caroline Lillian
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (04)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Schopp, Caroline Lillian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.802 (02)
Special Research/Problems
Feldman, Marian
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (02)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Feldman, Marian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.802 (07)
Special Research/Problems
Liu, Yinxing
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (07)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Liu, Yinxing
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.616 (01)
Leonardo da Vinci: Lives and Afterlives of a Premodern Artist
Th 4:30PM - 7:00PM
Campbell, Stephen
Gilman 177
Spring 2024
Beginning in the present, the course will examine how popular constructions of “Da Vinci” are used to legitimate contemporary obsessions with art, genius, and technological innovation. We will examine how, since the 1500s, the biography and “character” of Leonardo has been produced, often in the absence of historical evidence, and the cultural and political interests that these productions serve. The primary focus of the course will be a revisionist approach to the writings and imagery of Leonardo, to be considered with regard to questions of artistic selfhood in the Renaissance, and of the artisan as author figure.
×
Leonardo da Vinci: Lives and Afterlives of a Premodern Artist AS.010.616 (01)
Beginning in the present, the course will examine how popular constructions of “Da Vinci” are used to legitimate contemporary obsessions with art, genius, and technological innovation. We will examine how, since the 1500s, the biography and “character” of Leonardo has been produced, often in the absence of historical evidence, and the cultural and political interests that these productions serve. The primary focus of the course will be a revisionist approach to the writings and imagery of Leonardo, to be considered with regard to questions of artistic selfhood in the Renaissance, and of the artisan as author figure.
Days/Times: Th 4:30PM - 7:00PM
Instructor: Campbell, Stephen
Room: Gilman 177
Status: Open
Seats Available: 3/6
PosTag(s): HART-RENEM
AS.010.618 (01)
On Weaving: Feminism, Ecology, Care
F 1:30PM - 4:00PM
Schopp, Caroline Lillian
Gilman 177
Spring 2024
How might a critical and material art history contribute to contemporary debates in theory? Feminist and queer theories, on the one hand, and ecological thought, on the other, have often turned to metaphors of weaving in their attempt to think antihierarchical forms of relationality. Against models of autonomous selfhood, weaving is evoked to foreground the material fact of our interdependence with human and other forms of life, and to articulate relations that are all too often discounted in western liberal cultures – along with the care work that goes into maintaining them. This seminar lends texture to metaphors of weaving by looking at material practices. We consider how the study of textile and fiber arts informs theoretical concerns, while also attending to the ways in which our reading of theory impacts our appreciation of artistic techniques and practices. The course will include two group excursions on Saturdays to the exhibition “Woven Histories: Textiles and Modern Abstraction” at the National Gallery of Art in Washington DC, sponsored by the Faculty-Student Engagement and Enrichment Fund..
×
On Weaving: Feminism, Ecology, Care AS.010.618 (01)
How might a critical and material art history contribute to contemporary debates in theory? Feminist and queer theories, on the one hand, and ecological thought, on the other, have often turned to metaphors of weaving in their attempt to think antihierarchical forms of relationality. Against models of autonomous selfhood, weaving is evoked to foreground the material fact of our interdependence with human and other forms of life, and to articulate relations that are all too often discounted in western liberal cultures – along with the care work that goes into maintaining them. This seminar lends texture to metaphors of weaving by looking at material practices. We consider how the study of textile and fiber arts informs theoretical concerns, while also attending to the ways in which our reading of theory impacts our appreciation of artistic techniques and practices. The course will include two group excursions on Saturdays to the exhibition “Woven Histories: Textiles and Modern Abstraction” at the National Gallery of Art in Washington DC, sponsored by the Faculty-Student Engagement and Enrichment Fund..
Days/Times: F 1:30PM - 4:00PM
Instructor: Schopp, Caroline Lillian
Room: Gilman 177
Status: Open
Seats Available: 3/6
PosTag(s): HART-MODERN
AS.010.659 (01)
The Passion and Resurrection from Middle Ages to Modernity: Image, Narrative, Drama, Film
W 1:30PM - 4:00PM
Merback, Mitchell
Gilman 177
Spring 2024
What makes the Gospel story of Jesus of Nazareth’s arrest, trial, execution, burial, and resurrection not only Christianity's defining narrative but one of the enduring “root paradigms” of western culture? This seminar takes a long-range look at the transformations in European religious consciousness surrounding the Passion narratives, and explores the myriad developments in story-telling, image-making, and play-acting they urged forward. Our historical survey moves from the earliest icons associated with the Holy Places in Jerusalem, through the artful fictions conjured in the realist tradition by painters such as Hieronymus Bosch and Peter Paul Rubens, to late medieval Passion plays, Passion meditation and cult-forms, and finally to the silver-screen phenomenon that includes Paolo Pasolini's "The Gospel According to St. Matthew" (1964), Martin Scorcese's "The Last Temptation of Christ" (1988), and Mel Gibson's "The Passion of the Christ" (2004).
×
The Passion and Resurrection from Middle Ages to Modernity: Image, Narrative, Drama, Film AS.010.659 (01)
What makes the Gospel story of Jesus of Nazareth’s arrest, trial, execution, burial, and resurrection not only Christianity's defining narrative but one of the enduring “root paradigms” of western culture? This seminar takes a long-range look at the transformations in European religious consciousness surrounding the Passion narratives, and explores the myriad developments in story-telling, image-making, and play-acting they urged forward. Our historical survey moves from the earliest icons associated with the Holy Places in Jerusalem, through the artful fictions conjured in the realist tradition by painters such as Hieronymus Bosch and Peter Paul Rubens, to late medieval Passion plays, Passion meditation and cult-forms, and finally to the silver-screen phenomenon that includes Paolo Pasolini's "The Gospel According to St. Matthew" (1964), Martin Scorcese's "The Last Temptation of Christ" (1988), and Mel Gibson's "The Passion of the Christ" (2004).
Days/Times: W 1:30PM - 4:00PM
Instructor: Merback, Mitchell
Room: Gilman 177
Status: Open
Seats Available: 2/6
PosTag(s): HART-MED, HART-RENEM
AS.010.802 (01)
Special Research/Problems
Campbell, Stephen
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (01)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Campbell, Stephen
Room:
Status: Open
Seats Available: 2/5
PosTag(s): n/a
AS.010.802 (03)
Special Research/Problems
Merback, Mitchell
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (03)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Merback, Mitchell
Room:
Status: Open
Seats Available: 3/5
PosTag(s): n/a
AS.010.802 (05)
Special Research/Problems
Stager, Jennifer
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (05)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Stager, Jennifer
Room:
Status: Open
Seats Available: 4/5
PosTag(s): n/a
AS.010.680 (01)
Craft and Interaction in the Near East and Aegean during the Bronze and Iron Ages
Th 1:30PM - 4:00PM
Anderson, Emily S.K.; Feldman, Marian
Gilman 177
Spring 2024
This graduate seminar investigates the intersection of crafting and cultural interaction among the regions of the Aegean, eastern Mediterranean and Near East from 3000-500 BCE (Bronze and Iron Ages).
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Craft and Interaction in the Near East and Aegean during the Bronze and Iron Ages AS.010.680 (01)
This graduate seminar investigates the intersection of crafting and cultural interaction among the regions of the Aegean, eastern Mediterranean and Near East from 3000-500 BCE (Bronze and Iron Ages).
Days/Times: Th 1:30PM - 4:00PM
Instructor: Anderson, Emily S.K.; Feldman, Marian
Room: Gilman 177
Status: Open
Seats Available: 4/12
PosTag(s): HART-ANC
AS.010.802 (08)
Special Research/Problems
Zchomelidse, Nino
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
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Special Research/Problems AS.010.802 (08)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (09)
Individual Work
Hyman, Aaron M.
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (09)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Hyman, Aaron M.
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.802 (11)
Special Research/Problems
Rustem, Unver
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (11)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Rustem, Unver
Room:
Status: Open
Seats Available: 3/5
PosTag(s): n/a
AS.010.804 (07)
Individual Work
Liu, Yinxing
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (07)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Liu, Yinxing
Room:
Status: Open
Seats Available: 4/5
PosTag(s): n/a
AS.010.804 (04)
Individual Work
Schopp, Caroline Lillian
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (04)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Schopp, Caroline Lillian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (08)
Individual Work
Zchomelidse, Nino
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (08)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Zchomelidse, Nino
Room:
Status: Open
Seats Available: 2/5
PosTag(s): n/a
AS.010.802 (10)
Special Research/Problems
Brown, Rebecca Mary
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (10)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Brown, Rebecca Mary
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (03)
Individual Work
Merback, Mitchell
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (03)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Merback, Mitchell
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (02)
Individual Work
Feldman, Marian
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (02)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Feldman, Marian
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (01)
Individual Work
Campbell, Stephen
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (01)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Campbell, Stephen
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (05)
Individual Work
Stager, Jennifer
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (05)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Stager, Jennifer
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.802 (09)
Special Research/Problems
Hyman, Aaron M.
Spring 2024
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
×
Special Research/Problems AS.010.802 (09)
This course is for students who wish or need special instruction in areas of art history not included in the currently offered course
Days/Times:
Instructor: Hyman, Aaron M.
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.804 (10)
Individual Work
Brown, Rebecca Mary
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (10)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
Days/Times:
Instructor: Brown, Rebecca Mary
Room:
Status: Open
Seats Available: 5/5
PosTag(s): n/a
AS.010.807 (01)
Summer Research
Campbell, Stephen
Summer 2024
Summer research for doctoral students
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Summer Research AS.010.807 (01)
Summer research for doctoral students
Days/Times:
Instructor: Campbell, Stephen
Room:
Status: Open
Seats Available: 75/75
PosTag(s): n/a
AS.010.804 (11)
Individual Work
Rustem, Unver
Spring 2024
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.
×
Individual Work AS.010.804 (11)
Students preparing dissertations will enroll in this course with the permission of their doctoral advisers.